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"Kelly Masterson's script is creepily honest and creates despondent and troubled characters whose futures are bleak."
Thanks to satellite television, our family receives more than 400 channels, not including all the pay-per-view channels. It’s a cliche, but with all these channels, I still can’t find anything to watch. Prime time is a little easier since there are a few shows in that time slot that I watch consistently. But after Grey’s Anatomy, what was I going to watch? I took the remote with fervor and started channel surfing — I’m incensed when someone channel surfs and cannot find one channel to settle on, but when I’ve got control of the remote (which I lovingly refer to as the conch, as in Lord of the Flies) it’s okay. Double standards abound in my life.
Anyway, as I was surfing I found monumental epics such as One Missed Call, I’ll Always Know What You Did Last Summer, and The Sasquatch Gang – films I would normally roll my eyes at, but actually considered on this night of particularly bad television. It was an eerie quandary, as I knew if I watched these films, I would have to bury my head in the sand. In shame.
Then I came across the opening title of Before the Devil Knows You’re Dead… and I settled in. Netflix delivered the movie to us a few months ago and I sent it back without watching it, by accident.
Andy and Hank Hanson are brothers whose lives are stagnant profiles of the men they thought they could and would be. Andy (Philip Seymour Hoffman) is middle-aged, extremely insecure, and unhappy. His drug problem causes him to embezzle money from the company he works for. His wife, Gina (Marisa Tomei) desperately tries to engage Andy, conversationally and sexually, but she realizes her attempts at a nurturing relationship is not within reach. Hank (Ethan Hawke) owes thousands of dollars to his ex-wife (Amy Ryan) for child support. He is a push-over and even his own daughter voices her disappointment in her father when Hank cannot come up with the money to send her on a school trip with her classmates. Hank and Gina, hoping to find some stability in their lives, have an affair with one another.
Knowing that he and his brother are both furiously trying to find money anywhere, Andy concocts a plan where he and Andy will rob a jewelry store — their parents’.
Hoffman gives a solid performance as a careless and emotionally inept husband. His inner anguish is apparent and reveals a troubled soul that cannot move forward until he deals with his issues. He feels he has so much to prove, especially to his parents (Rosemary Harris and Albert Finney) whom he feels never paid attention to any of his accomplishments. Hawke’s portrayal of the subservient Hank is implicitly pathetic and yet still invokes sympathy. He fights to prove to Andy that he is capable of taking on this robbery, but cannot escape the futility of his life and the consequences of his actions. Tomei’s observant Gina is caught in a stagnant relationship with her husband and her affair with Hank is brought on to elicit an emotional reaction from her husband. Finney is another great addition to the cast and fuels the Hanson family dysfunction. He is caught between upholding his loyalty and love for his wife and controlling the utter rage and conflicting emotions for his sons.

Kelly Masterson’s script is creepily honest and creates despondent and troubled characters whose futures are bleak. The film’s pace is consistent and is greatly assisted by Academy Award winning director Sidney Lumet’s use of various characters’ vantage points and use of time in flashbacks. Lumet allows the audience to breathe in these characters and find correlations between their lives and our own.
Before The Devil Knows You’re Dead is a depressing, dreary look at human nature. Families, such as the Hansons, are incredibly dysfunctional, and the more they try to get ahead in life the more they experience turmoil.
Grade: A
Before the Devil Knows You’re Dead, Rated R for violence, nudity, language
Starring: Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, Albert Finney and Rosemary Harris
Directed by Sidney Lumet
Screenplay by Kelly Masterson
Photo Sources: Mybroadwayvideo.info, Allmoviephoto.com
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